Anne of the Thousand Days (1969)
If you don’t know the story of King Henry VIII and Anne Boleyn, the movie will give you a fair warning in the opening scene. A very upset and conflicted Richard Burton is faced with signing an edict, ordering Anne, Queen of England (a phrase he utters three times for the audience’s benefit), to death. Then it goes back in time to the night he first met Anne, played by Genevieve Bujold. Normally, I don’t like non-linear movies, but since the opening scene is the only part of the movie that throws off the timeline, I don’t mind it. Also, it serves to caution those in the audience who don’t know their history. This movie’s going to be a heavy drama, and Richard Burton just warned you of the ending.
Anne of the Thousand Days is an incredibly beautiful film. While it was nominated for ten Oscars in 1970, it only won Best Costume Design. Although Richard Burton had some competition in the Best Actor award from his friend Peter O’Toole in Goodbye, Mr. Chips, I would have awarded the film Best Picture, Adapted Screenplay, and Art Direction with no hesitation. It takes an incredible talent to create a period piece of that time period with such believable sets and costumes that the audience actually starts to think it’s a documentary. It sounds silly, but I actually began to believe I wasn’t watching Richard and Genevieve. I was really and truly watching Henry and Anne, because of the acting, directing, sets, and costumes. Margaret Furse’s costumes are perhaps the most beautiful costumes I’ve ever seen in a film. It’s easy to watch an old movie and think, “Those costumes were borrowed from the set of The Court Jester.” These costumes are so unbelievably beautiful, I kept pressing pause so I could admire the detail of the fabric, the patterns, and the accessories. I really don’t think I can stress enough how beautiful the outfits are, so you’ll just have to watch it to appreciate how realistically it captures the time period.
The director of a film so fantastic in all its elements should be given enormous credit; it’s very difficult to pull off an epic like this without it boring the audience, flying high above their heads, or coming across as cheesy. Director Charles Jarrett wasn’t even nominated for an Oscar. But at least he won the Golden Globe.
I love when period pieces are well written. When getting your information from a dry history book, it’s easy to make the dialogue hard to digest. Screenwriters John Hale, Bridget Boland, and Richard Sokolove wrote an accessible, easy to understand, but still archaically correct script. Their words flow off the actors’ tongues easily. It’s hard to imagine anyone in that movie taking their costumes off at the end of the day and saying, “Groovy, man!” as they might have in 1969.
And now, the acting. Usually, Henry VIII is depicted as a despicable villain with no redeeming qualities. Not in this version. Richard Burton breathes so much humanity into the role. The audience truly feels how conflicted, betrayed, and passionate he feels in every scene. You might not think he’s an unequivocal hero, but he’s definitely not a one-dimensional villain. He has three very fleshed out dimensions to his character. Genevieve Bujold is just as complex. She is not a simpering victim; she’s conniving, bold, villainous, and torturous in her own way.
This is a wonderful movie, even though it’s not particularly uplifting. There’s so much to love about it. I’ve already seen it twice, but you only have to watch it one time to know what I mean.
Want to watch it? Click here to watch it on ok.ru. And thanks "Jason Lucas" for posting!
More Richard Burton movies here!
Anne of the Thousand Days is an incredibly beautiful film. While it was nominated for ten Oscars in 1970, it only won Best Costume Design. Although Richard Burton had some competition in the Best Actor award from his friend Peter O’Toole in Goodbye, Mr. Chips, I would have awarded the film Best Picture, Adapted Screenplay, and Art Direction with no hesitation. It takes an incredible talent to create a period piece of that time period with such believable sets and costumes that the audience actually starts to think it’s a documentary. It sounds silly, but I actually began to believe I wasn’t watching Richard and Genevieve. I was really and truly watching Henry and Anne, because of the acting, directing, sets, and costumes. Margaret Furse’s costumes are perhaps the most beautiful costumes I’ve ever seen in a film. It’s easy to watch an old movie and think, “Those costumes were borrowed from the set of The Court Jester.” These costumes are so unbelievably beautiful, I kept pressing pause so I could admire the detail of the fabric, the patterns, and the accessories. I really don’t think I can stress enough how beautiful the outfits are, so you’ll just have to watch it to appreciate how realistically it captures the time period.
The director of a film so fantastic in all its elements should be given enormous credit; it’s very difficult to pull off an epic like this without it boring the audience, flying high above their heads, or coming across as cheesy. Director Charles Jarrett wasn’t even nominated for an Oscar. But at least he won the Golden Globe.
I love when period pieces are well written. When getting your information from a dry history book, it’s easy to make the dialogue hard to digest. Screenwriters John Hale, Bridget Boland, and Richard Sokolove wrote an accessible, easy to understand, but still archaically correct script. Their words flow off the actors’ tongues easily. It’s hard to imagine anyone in that movie taking their costumes off at the end of the day and saying, “Groovy, man!” as they might have in 1969.
And now, the acting. Usually, Henry VIII is depicted as a despicable villain with no redeeming qualities. Not in this version. Richard Burton breathes so much humanity into the role. The audience truly feels how conflicted, betrayed, and passionate he feels in every scene. You might not think he’s an unequivocal hero, but he’s definitely not a one-dimensional villain. He has three very fleshed out dimensions to his character. Genevieve Bujold is just as complex. She is not a simpering victim; she’s conniving, bold, villainous, and torturous in her own way.
This is a wonderful movie, even though it’s not particularly uplifting. There’s so much to love about it. I’ve already seen it twice, but you only have to watch it one time to know what I mean.
Want to watch it? Click here to watch it on ok.ru. And thanks "Jason Lucas" for posting!
More Richard Burton movies here!